Rebranding a brand agency: Creating DWH’s new identity
If you’re thinking “Something looks a little different here…” you’re right! DWH has a brand-new brand, and a website to match! Well, it’s not completely new, but rather an updated version of our existing identity, designed to better align with the DWH of 2021. Clients often come to us for rebranding projects, so we wanted to dive into some of the most important considerations when updating your brand identity, using ourselves as an example of how we approach a brand refresh.
If you’re thinking “Something looks a little different here…” you’re right! DWH has a brand-new brand, and a website to match! Well, it’s not completely new, but rather an updated version of our existing identity, designed to better align with the DWH of 2021. Clients often come to us for rebranding projects, so we wanted to dive into some of the most important considerations when updating your brand identity, using ourselves as an example of how we approach a brand refresh.
#1 Colour palette
Different colours have long been associated with certain meanings, and can instantly evoke a particular mood. Red is the colour of passion or power, while green brings to mind nature and renewal. Orange can symbolise everything from health to hazard, and purple creates an air of mystery and luxury.
Colour theory dates back hundreds of years, and modern designers still implement it to create an instant impression in their audience. If there are certain traits that you’re looking to embody with your brand, delving into colour theory is a great place to start.
For fun, creative industries, bright, clashing colours can make you stand out and show your unique personality. For something fairly corporate, muted tones might be more suitable — but don’t be afraid to throw in an exciting splash of colour!
Not only does colour help to create an instant impression, it’s also an extremely powerful branding tool. Think about the red and yellow of McDonalds, or the blue and yellow of IKEA. When you see these colours in combination, you instantly recognise the brand behind them, even without a name or logo. The same can be said for individual colours, like Coca-Cola red, Facebook blue or Amazon orange.

The new DWH colour palette
For DWH, we wanted to move away from our toned down black-and-white branding, and inject a little colour.
Although we loved the confident, professional feel of our monochrome identity, adding a little playful colour felt like a no-brainer for a creative design agency. We opted for a palette of blues and teals, evoking intelligence and responsibility, while also creating a sense of calm.
Blue is the most popular colour in the world, and is the top choice for businesses. It’s particularly favoured by IT, tech and finance brands, thanks to its association with trust and intelligence. This felt like a great fit, but we wanted our brand to feel a little more fun and creative, which we’ve achieved through our eye-catching teal accent colour.
#2 The offering
A business is a living, breathing entity, constantly evolving and adapting to new challenges.
Coronavirus was an unexpected catalyst, forcing many brands to pivot from one core offering to another. With restaurants offering take-away services and vegetable boxes, and gyms making exercise classes available online, everyone had to make changes to survive.
Now that things are (sort of?) getting back to normal, brands have realised the value in these new offerings, and a lot of these emergency changes are here to stay.
Of course, it’s not just unexpected global pandemics that can cause a change in your brand offering. Your offering is shaped by lots of things, such as:
- The size of your company
- The skills of your employees
- The needs of your target market
- The area in which you operate
- The products and services of your competitors
However your business changes, and whatever the reason, it’s important to make sure that your branding aligns with what you offer your customers now.
The new DWH offering
Since we started out five years ago, our services have naturally evolved over time. From bringing in new staff with exciting new skill sets to simply reacting to the shift in what our clients are looking for, we wanted to make sure we were shouting about everything we do.
More recently, the acquisition of Art Director Gemma has allowed us to add video editing, motion graphics and 3D design to our offering, and we wanted to showcase these exciting new additions on our website and social media.
You’ll notice lots more 3D visuals, videos and motion graphics in our branding, most notably on our shiny new homepage. As well as looking pretty damn cool, they help us to show our clients what we’re capable of, giving them the confidence that we can tackle similar projects for their brand.
#3 Name
Changing your business name can seem scary, and it could be a big undertaking. Depending on the age and legacy of your business, a new name could be a minor tweak or a huge shake-up, and it’s important to determine whether the benefits will outweigh the negatives.
However, sometimes a new name is the next necessary step on your journey. Don’t let the thought of filling out lots of paperwork or changing all your social media handles dissuade you from something that could yield huge profits in the long term.
Let’s look at some of the reasons you might consider renaming your brand.
- A change in your offering
- A change of target market
- Creating a more modern appeal
- Distancing yourself from something
Think WWE being forced to stop calling themselves WWF due to a trademark violation against the World Wildlife Fund or, more recently, Weight Watchers rebranding as WW to signify a more holistic approach to health and wellbeing, instead of focusing on the scales.
If what you’re calling yourself no longer represents who you are and what you do, or it doesn’t resonate with your target audience, it might be time for a change.
The new DWH name
We’re still DWH, but we’ve made a minor tweak to better represent what we do for our clients. You may have noticed this in our new URL — complete with approximately a thousand redirects lovingly programmed by founder and DWH namesake David.
Instead of DWH Design, we’re now DWH Creative. Design is obviously a huge part of what we do, but as a full-service digital agency, creativity is really at the heart of our offering. We felt it was only right to reflect this in the way we refer to ourselves, helping to build trust and show the relevance of our creative design agency.
Your new brand identity
Hopefully we’ve shown you that we know a thing or two about refreshing a brand identity.
If you’re looking to make a change, whether that’s a minor tweak or a complete overhaul of your branding, we’d love to hear from you.
Midlands Enterprise Awards 2021
We’re delighted to announce that DWH has been awarded Best Web Design and Development Agency in the West Midlands in the SME News Midlands Enterprise Awards 2021!
We’re delighted to announce that DWH has been awarded Best Web Design and Development Agency in the West Midlands in the SME News Midlands Enterprise Awards 2021!
About the SME News Awards
SME News is a quarterly digital publication aimed at those who own, run or assist in the running of small and medium-sized businesses within the UK.
From supporting businesses in their day-to-day operations and offering practical advice to celebrating outstanding achievements, SME News is a great resource for the business community.
2021 marks the fourth installment of the SME News Awards. Unsurprisingly, last year’s awards were postponed because of the coronavirus pandemic – which means we’ve been waiting to hear some good news about the awards for ages!
The Midlands Enterprise Awards
The Midlands Enterprise Awards aims to celebrate hardworking firms and individuals hailing from the Midlands.
Every shortlisted nominee is carefully scrutinised by the SME News team, gathering information from nominations and applications, as well as publicly available information. The final decision is based on various criteria including client dedication, innovation, business growth, longevity, online reputation, customer feedback and business performance.
And the winner is...
As a proud Midlands-based agency, we were absolutely delighted to be named the Best Web Design and Development Agency for the SME News Midlands Enterprise Awards. There’s plenty of tough competition in the region, and it’s nothing short of an honour to have our hard work celebrated after such a rigorous selection process.
By evolving the services we provide and the way we work with our clients, we’ve been able to consistently provide successful business outcomes, while staying relevant in our market. This adaptable approach, coupled with our dedication to each and every project, is how we’ve managed to stand out in a bustling and fast-moving industry.
The soppy part
This is the part where we get a bit emotional but, as gracious winners, it’s important that we take the time to show a little appreciation to those who helped us to win this award.
First of all, we’d like to thank our wonderful clients. Without you, we wouldn’t be where we are today – both literally and figuratively. 2020 was a tough year for us all, and your support has helped us to not only weather the storm, but to come out even stronger on the other side.
Of course, we need to extend a huge thank you to the amazing team at DWH, who support our clients and continue to go above and beyond. These are the steady hands that have helped to steer us through the aforementioned storm, and with such a talented and passionate crew on board, the Good Ship DWH is sure to find itself in some amazing places in 2022 and beyond.
Finally, we’d like to say thank you to the SME News Awards for honouring us with this special accolade. We’re so proud of everything we’ve accomplished, and this recognition feels even more special after such a challenging year.
Fancy some award-winning support?
We didn’t get where we are without knowing a thing or two about self-promotion!
The DWH team is already looking ahead to our next exciting projects, and we’d love to see what you’ve got in store for us.
Get in touch with us and let us know how we can support you on your brand journey.
Celebrating five years of DWH
In September, we celebrated DWH’s 5th birthday! Join us in looking back over the last half decade and everything that’s helped DWH to become what it is today. We can’t promise there will be cake, but hopefully you’ll come along anyway.
In September, we celebrated DWH’s 5th birthday! Join us in looking back over the last half decade and everything that’s helped DWH to become what it is today. We can’t promise there will be cake, but hopefully you’ll come along anyway.
The evolution of an agency
In 2016, DWH was Dave. In 2017, we were calling ourselves a boutique agency. Now, DWH is a fully fledged creative design agency with an impressive portfolio of projects covering branding, graphic design, digital marketing strategy, social media, web design and print. Our evolution from a one-man band to a compact yet flexible digital marketing agency hasn’t been completely linear, which is pretty par for the course. Dave never meant to start an agency, but he did.
Five years on, it’s doing pretty well.
The amazing DWH team
Having a great team of talented and dedicated people is one of the most valuable things a creative agency can have. Here at DWH, we’re fortunate to have just that.

DAVID HUSKISON
DWH started in Dave’s spare room in evenings and at weekends. Juggling a full-time job and building an empire from the ground up (all with a toddler demanding attention) was tough, but his passion and dedication allowed him to develop a successful agency in just a few years. Although the DWH team is now somewhat larger than in 2016, Dave is still personally involved in every project that comes through the door.

GEMMA HUSKISON
After coronavirus dealt the final blow to the family business in the events and exhibitions industry, Gemma joined the other family business here at DWH. With a wealth of experience in video editing, motion graphics and 3D design, Gemma has opened up an exciting new avenue for DWH and our clients to explore.

JONATHON BRIGHT
JB has been with DWH since pretty much day one. He’s exceptionally well travelled, with a brain full of 25 years’ worth of digital marketing experience. He’s a great example of why flexible working works; why limit recruitment to a particular location when it could mean missing out on the JBs of your industry?

CLAIRE BALDWIN
Copywriter Claire has been with us since 2018, though she’s known Dave for over 15 years. After initially supporting DWH with ad-hoc proofreading and social media posts, our growing business meant more copywriting requirements. As a freelancer and long-time supporter of all things Dave, she was more than happy to take on some additional responsibilities and now tackles everything from complete website copy to writing articles for our blog.

AYDAN KELLY
Aydan started with DWH in 2019 as a junior creative artworker, and blew us away with his dedication and attention to detail in his first few projects. Since then, he’s continued to grow, learn and develop new skills—as evidenced by his recent promotion to digital designer!

CAMERON GILL
Also in 2019, we welcomed Cameron, our very first intern. This was an exciting time for DWH, helping us to use our position in the industry to give back to the creative community. We were sad to see Cameron go in 2020, but proud to have given him a great start in his career.

JAMES WALLSGROVE
Head developer James Wallsgrove has been with DWH since 2018, helping us to offer complete web design and development services all under one roof. With over a decade of experience, he knows the web inside and out and has helped to get our clients online with fast, mobile-friendly and future-proofed websites.
The unexpected arrival
In 2020, we welcomed a new addition to the team: Coronavirus!
Like just about every other business on the planet, when Rona reared its ugly head, we all thought: “shiiit.” There were plenty of tough times, with the lads out on furlough, PE with Joe Wicks, approximately a million Zoom calls, and dog parenting in lockdown, but we made it out the other side. We learned a lot during lockdown, not least of which was the importance of our client relationships, and how amazing the DWH team really is.
Climate positivity
One of the things we’re most proud of is partnering with Ecologi to become a Climate Positive Workforce.
Known as Offset Earth back when we signed up, the scheme has helped us to do something great for the planet by planting trees to offset our carbon footprint and support projects around the world.
After just under 2 years, we’re currently proud sponsors of 1,576 trees, which has allowed us to offset 60.02 tonnes of CO2e. That’s the equivalent of 46 long haul flights!
At DWH, we’re all about telling brand stories. This is ours—but the story doesn’t stop here. There are so many exciting things on the horizon (some of which we’ve been dying to tell you about for months) and lots of challenges, changes and opportunities to look forward to. So, here’s to 5 years of DWH. Thank you to everyone who has supported us on this journey. We couldn’t have done it without you.
At DWH, we’re all about telling brand stories. This is ours—but the story doesn’t stop here. There are so many exciting things on the horizon (some of which we’ve been dying to tell you about for months) and lots of challenges, changes and opportunities to look forward to. So, here’s to 5 years of DWH. Thank you to everyone who has supported us on this journey. We couldn’t have done it without you.
Advice for graduates starting out in the creative industry
This time last year, many graduates were thrust into the world of work during a period where every other sentence included the phrase “unprecedented times” and it was, to say the least, pretty daunting. In particular, those looking for work in the creative industry struggled to find their feet, although there were several local schemes put in place to support graduates.
A year on, things are feeling a little less unprecedented, but still far from being back to normal. If you’re a recent graduate looking to take your first steps in the industry, read on for a little advice from one creative to another.

Set goals and deadlines
If you’re anything like me, your creative brain won’t let you get anything done without a solid, non-negotiable deadline in place. Setting and sticking to these deadlines is really important to make sure you’re actually progressing instead of distracting yourself with interesting but unproductive tasks.
Whether it’s putting together a portfolio or taking a temporary position to make ends meet while building experience for your dream job, set goals, assign deadlines and uphold them religiously.
As well as keeping yourself on track, it’s great practice for working to deadlines, which you’ll be doing no matter which creative industry is your specialty. When inspiration and motivation are hard to find, a well-trained discipline is an absolute life saver.

Understand your value
It might be a bit of a stereotype, but creatives can often be a little timid and lacking in confidence, which makes us easy targets for those looking for a bargain.
Avoid working ‘for exposure’ or accepting low-paying jobs that require a high level of qualifications or experience. Know your value, shout about your talents and enthusiasm, and speak up for yourself if it feels like a client or employer is taking advantage of you.
It’s also a good idea to work on increasing your value as much as possible to open up more opportunities. This is a really productive use of any free time you may have now you’ve graduated. Take courses online, visit art galleries, immerse yourself in a different culture, and just do anything you can to add unique value to what you’re offering.
Don’t be afraid to move on
It’s no longer the norm that a person takes a role straight out of education and stays there until retirement.
Whatever your parents or senior colleagues may tell you, moving jobs is not a bad thing. Taking a new position at another company is a great way to get more experience, learn new skills, and even secure a pay increase.
Remember as well that there’s nothing wrong with leaving a role you’re not enjoying. As a creative, it’s important to be invested in and excited by the work you’re doing, and if you’re unfulfilled, it’s worth seeing what else is out there.

Define what success looks like to you
The only way to succeed in your hunt for a creative role is to define what that success looks like to you.
Success for one person might be a high-paying job in a capital city; another person might be happier with a lower salary but more creative freedom. Whatever you’re looking for, keep it in focus throughout your journey and take things one step at a time.
Learn as you go, and use your new experiences to guide the next steps on your journey. Not all steps will be in the right direction, but as long as you understand where each one fits on the route to your final goal, you can avoid being discouraged if you end up taking a little detour.
Coventry: UK City of Culture 2021
As a Coventry-based creative design studio DWH has of course been following the developments of the city’s selection as the UK City of Culture 2021.
From bidding to selection and delay to eventual launch, there have been a few ups and downs throughout the process.
Here’s a quick round-up of what it means to be awarded UK City of Culture and what’s in store for this West Midlands city.

What is the UK City of Culture?
The initiative was created to build on the success of Liverpool’s selection as European Capital of Culture in 2008, giving cities in the UK a significant social and economic boost.
The year-long title is awarded every four years. Hull, the last UK City of Culture, generated £300 million in tourism spend during its spotlight year of 2017.
Part of the award is a £3 million Heritage Lottery Fund grant to be used for and will host a year-long cultural celebration encompassing events, installations and exhibitions.
Coventry, culture and COVID
After a two-year bid process, Coventry was chosen in 2017 as the UK’s next City of Culture, beating shortlisted cities Swansea, Paisley, Stoke-on-Trent and Sunderland.
While Coventry’s year was set to be 2020, it was understandably pushed back to 2021 due to the COVID-19 pandemic.
Even after the delay, Coventry wasn’t able to create the opening event they dreamed of, with restrictions in England persisting well into 2021. The Coventry Moves event was postponed from the City of Culture launch on May 15th, instead taking place at the start of June.
The launch event was held online, and opened with a song called ‘River Rushing Flow’ by Pauline Black, lead singer of The Selecter. The song represented Coventry’s River Sherbourne, as well as embodying the first of six “energies of the city”: resilience, social justice, youthfulness, sustainability, people power and innovation.
Other events included cavalcades of bikes and cars travelling across the city to commemorate Coventry’s manufacturing roots. Packed with Irish, Bollywood and Caribbean dancers, they facilitated pop-up doorstep performances honouring the city’s cultural diversity. We also saw a procession of 14 modern-day Lady Godivas, chosen from more than 140 nominations, to represent the city’s women.
So, what’s next for the City of Culture celebrations?

A very Special exhibition
Coventry is perhaps best known for two things: The WWII Blitz, and The Specials.
Understandably, the City of Culture celebrations honour the legendary two-tone band, who formed in Coventry in 1977. The music video for their hit song ‘Ghost Town’ was filmed right here, with its eerie look at the despair and desolation seen throughout a country in the grips of a recession.
A first-of-its-kind two-tone exhibition has been opened at the city’s Herbert Art Gallery and Museum, honouring the roots of this unique genre. Featuring never-before-seen artifacts and exclusive interviews, the exhibition focuses on Jerry Dammers’ two-tone label, founded right here in Coventry, as well as celebrating The Specials, The Selecter and other ska-influenced bands such asMadness, The Beat and The Bodysnatchers.

Home Sessions festival
With summer in full swing, The Specials’ frontman Terry Hall has curated a special lineup of acts to perform at the Home Sessions festival, taking place later this month.
As well as an appearance by Terry Hall, the three-day event will also feature The Libertines’ frontman Peter Doherty, Roni Size and The Lightning Seeds, as well as DJ sets, films and spoken word.
Some of the events will take place in the ruins of Coventry Cathedral, where The Specials performed their 40th anniversary show back in 2019.
CineCov film festival
Developed by Flatpack Projects, CineCov aims to turn the whole city into a cinema with more than 150 pop-up screenings taking place over the next 12 months.
With locations ranging from huge outdoor park screenings to community centres, churches and even towpaths, CineCov is one of the first chances for Coventry residents to join together in a real, in-person event to celebrate their city.
We can expect to see a special tribute to Coventry’s role in the filming of the 1969 classic The Italian Job, as well as the long-awaited reopening of Warwick Arts Centre’s three-screen cinema.
Plenty to look forward to
Lots of events are still being finalised and revealed, so there’s plenty to look forward to for the remainder of Coventry’s year in the spotlight.
Check out the guide to what’s on for more information.
The weird and wonderful world of NFTs
As if the world of cryptocurrency wasn’t confusing enough, 2021 saw the explosion of NFTs. Let’s look at some of the weird and wonderful things people have sold as NFTs.
What is an NFT?
A non-fungible token, or NFT, is essentially a certificate of ownership of a digital asset.
‘Fungible’ means ‘replaceable’, so NFTs are given the status of being irreplaceable virtual items. While digital assets can be easily downloaded, saved or copied, NFTs allow someone to own the ‘original’ digital work, while copies would be worthless.
Most NFTs are part of the Ethereum blockchain. You don’t actually own the original gif, video or image file, all of which can be replicated for free. NFTs use metadata, which is processed through a special algorithm (a cryptographic hash function, if you want the technical term) to produce a unique string of numbers, which is linked to the digital asset. Basically, you own a token that proves that you own the token.
Still confused? Yeah, me too…
NFTs exploded at the start of 2021, offering digital artists a shot at the exclusivity and commercial appeal enjoyed by traditional artists. However, as with all things digital, shit got weird almost immediately.
Here are some of the weirdest NFTs that have been bought and sold.
Memes and viral videos
Some of the internet’s most popular memes and viral videos hit the NFT market, giving content creators a new way to monetise their work.
In February, ‘Nyan Cat’ sold at auction for $590,000 (£424,000). Not a bad chunk of change for a rainbow Pop-Tart cat from 2011.
The viral video ‘Charlie bit my finger’ was sold as an NFT in May for $760,000 (£546,100). The creator had announced that they would remove the video from YouTube following the auction, but it is currently still accessible, though unlisted.
‘Disaster Girl’ sold in April for $473,000 (£340,000), while the infamous ‘Leave Britney alone’ video netted creator Chris Crocker $41,000 (£29,500) to help fund their gender transition.
https://www.mic.com/p/the-weirdest-nfts-being-sold-right-now-65517517
just setting up my twttr
— jack (@jack) March 21, 2006
Twitter founder’s first tweet
Twitter founder Jack Dorsey’s first tweet, the extremely ordinary yet utterly groundbreaking “just setting up my twttr”, was sold as an NFT in March.
This simple sentence, with its cavalier disregard of grammar, spelling and punctuation, sold for a whopping $2.9 million (£2.1 million). That’s almost $600,000 per word.
Dorsey converted the proceeds to Bitcoin and donated them to GiveDirectly’s Africa Response, so at least this weird transaction helped a good cause.
https://www.mic.com/p/the-weirdest-nfts-being-sold-right-now-65517517

A digital Trump corpse
Yep. You read that right.
In November 2020, digital artist Mike Winkelmann, AKA Beeple, sold an NFT titled ‘Crossroads’ that changed based on the outcome of the 2020 election.
The artwork featured three distinct states: pre-election, Trump win, and Biden win. The description of the artwork on Nifty states: “If anything is constant about the times we now live in, it’s uncertainty. This uncertainty is perfectly encapsulated in this piece of artwork as the person buying the piece will not know the final artwork.”
It’s a pretty interesting concept, even if the final artwork of an enormous Donald Trump corpse covered in graffiti under a rainbow isn’t quite to your taste. I highly recommend checking out the Trump win edition, which Beeple describes as “sexy boi king trump stomping through hell” and is both delightfully bonkers and extremely terrifying.
https://niftygateway.com/itemdetail/primary/0x12f28e2106ce8fd8464885b80ea865e98b465149/1
Food you can’t eat, and sneakers you can’t wear
Created by teenage chef and MasterChef Junior winner Logan Guleff, ‘Dinner for One’ has been described as a non-fungible token dining experience.
A more accurate description would be a montage of several food photographs with an ‘artistic’ filter. Although it’s been for sale since March, nobody has yet placed any bids on this completely inedible three-course meal.
In a similar, but much more successful, vein, RTFKT, creators of virtual sneakers and collectibles, continued “merging realities in fashion and gaming” by releasing NFT sneakers.
In collaboration with 18-year-old Seattle-based artist FEWOCiOUS, tokens representing 608 pairs of digital sneakers were sold in March, racking up over $3 million (£2.2 million) in just seven minutes. To be fair, NFT owners were then given a 48-hour window to claim a free physical pair.
It’s interesting to note that, in this case, the physical sneakers are considered a ‘free’ item, while the token itself serves as a certificate of authenticity.
So, are NFTs worth the hype?
The environmental impact of blockchain and cryptocurrencies, which fuel and support NFTs, has been heavily scrutinised over recent months, with one report concluding that Bitcoin emissions alone could push global warming above 2°C.
NFTs can be used to verify ownership of all sorts of items, from artwork and luxury goods to legal documents and even virtual land. They offer opportunities to reduce counterfeit merchandise, generate income from digital assets, and increase cyber security, but their recent fad status has painted them with a bit of a weird brush.
Personally, I don’t think NFTs are viable long-term in their current state. They could be harnessed as an extremely useful tool if a solution can be found for the huge energy demands of mining cryptocurrency, but as for destroying the planet over a 10-second looped video of a huge, naked Trump corpse? Probably not worth it.
Caterpillargate
THIS PROBABLY ISN’T EVEN THE FIRST TIME YOU’VE READ THIS SENTIMENT TODAY, BUT LET’S GO AHEAD ANYWAY: 2020 WAS A TOUGH YEAR FOR US ALL. I KNOW. THIS ISN’T NEWS. BUT I’VE SAID IT ANYWAY.
However, there is light at the end of the tunnel, even if that tunnel looks like it might be getting longer and longer by the day. Restrictions are lifting (for now) and COVID isn’t always the main subject of the news.
Just like the natural cycle of the world continues, things are starting to return to normal. Trees are blossoming, birds are getting ready to lay their eggs, and caterpillars are turning into butterflies …
What’s that? Did someone say caterpillar?
Caterpillargate
Okay, now I’ve rambled on a bit to get to my point (and you’ve read the title of the article, so you already know what I’m going to talk about), let’s talk Caterpillargate.
In case you’ve been hiding under a rock the last few months (that would be more woodlouse than caterpillar), you’ve probably heard about the beef between M&S and Aldi. That’s right. Pandemic aside, the big news of 2021 was supermarkets arguing about cake.
And it was glorious.
A quick recap: Colin the Caterpillar, the pride and joy of M&S and literal best cake ever (sorry, fancy French patisseries) was the victim of identity theft in April. The culprit? Aldi’s Cuthbert the Caterpillar.
While all the other big supermarkets have their own caterpillar-shaped cakes, M&S was quite rightly a bit annoyed by Aldi’s offering, which is almost identical in design to the OG. They lawyered up … and the Twitter fun began.
Packaging update. #FreeCuthbert pic.twitter.com/XDSnhpvjmj
— Aldi Stores UK (@AldiUK) April 16, 2021
Day 2 and they still suspect nothing... #ifyouknowyouknow #FreeCuthbert pic.twitter.com/QyuGQR5Gv9
— Morrisons (@Morrisons) April 16, 2021
Cringeworthy or absolutely incredible?
I know which camp I’m in. I saw a lot of hate for the Caterpillargate bandwagon but I thought it was both delightful and absolutely hilarious.
Let’s face it: it got people talking. About caterpillar cake, sure, but at the heart of it all was a valid concern of trademark infringement, intellectual property theft and copycat branding. It also gave social media teams in just about every industry the opportunity to have a bit of fun, try something new and flex their creative muscles.
Viral marketing doesn’t just happen overnight. Well, it kind of does, but hopefully you see my point. You can’t just choose to go viral, and brands can learn a lot from Caterpillargate and how the story evolved through quick responses and creative content.
Our social team over the weekend: pic.twitter.com/G2DEM5D6iu
— M&S (@marksandspencer) April 19, 2021
Ok, who's chipping in? #FreeCuthbert pic.twitter.com/1IxmOdVUaJ
— Monzo (@monzo) April 16, 2021
Finding joy in the little things
It’s sad when a little bit of fun gets derided as being “cringe”. Maybe I’m just getting old, but I personally thought that a bit of lighthearted banter about bug-shaped cake was the perfect light relief from all the doom and gloom of the pandemic.
The fact that we’re ready to accept these more trivial snippets of news is comforting, as it means that we’re starting to see the other side of this whole ordeal. A year ago, Caterpillargate would have felt completely out of touch, and actually rather insulting. Now, with vaccinations being rolled out, pubs and shops reopening, and the world starting to return to normal, there’s so much relief to be found in enjoying the little things.
We’ve all had to deal with a lot over the last 12 months, and it’s been really refreshing to take the piss out of some cake.
What will 2021 have in store for marketing?
Now we’ve got a few weeks of 2021 under our belts, it’s time to think about the changes we’ve seen over the last 12 months and what they might mean for the future of marketing.
Almost every single person on the planet has been affected by the coronavirus pandemic in some way, and this has been a huge catalyst in an already fast-changing industry.
Here’s what we’re going to see in the marketing strategies of 2021 and beyond.
User-generated content
People love to get involved and have their voices heard—that’s why social media is so popular.
Throughout 2020, many people were getting a little, well, bored. Being stuck in lockdown made people turn to more creative pastimes, participating in virtual quizzes, challenging each other to endless rounds of Taskmaster, and creating window displays with the kids to boost local morale. And it has to be said, the meme quality of 2020 was absolutely *chef’s kiss*.
There are millions of creative, hilarious and inspirational people out there, and they can work for your brand … for free. From giveaways and creative hashtag challenges to simply asking people to share their stories, there’s something utterly compelling about user-generated content, especially in light of the horrible shared experience of a global pandemic.

Virtual events
This time last year, comparatively few people had dipped their toes into the waters of virtual social events, Zoom meetings and remote offices.
However, 2020 pushed a lot of people head-first into the pool, and these remote interactions have become an ordinary part of our lives. And that’s where great marketing happens; integrating brands into these small moments that make up our daily routines.
Now consumers are used to attending virtual events, we can vastly expand audiences by creating additional opportunities for people to attend remotely. It also opens the doors to inviting guest speakers without paying for long-haul flights and hotel rooms, or holding conferences and exhibitions in a virtual space, reducing waste and avoiding the expense of a huge exhibition venue.

Social consciousness
“But Claire! This isn’t the first time you’ve written about social consciousness for DWH’s blog!” No. It’s not. And it won’t be the last.
It’s hard to call social consciousness a trend. It’s not. It shouldn’t be. The world’s largest corporations have the power to literally change the world, for better or worse, and more and more people are realising this every day. The brands that we choose matter, and the companies that are starting to look a little less than friendly are getting scared.
There’s an almost endless list of ways for brands to become more socially conscious. Owning up to mistakes, improving diversity and equality, reducing emissions, planting a bunch of trees, giving employees a decent living wage, banning fur and just trying to do better are all huge steps that companies are making every day.
Brands that don’t adapt to the changing priorities of their target markets simply won’t survive. So becoming more responsible and accountable is one of the biggest things you can do to boost your profits in 2021 and beyond.
Being kind never goes out of style.

2021 Graphic design trends
2020 is finally over and as we start looking to the future, it’s time to take a look at what 2021 will have in store for graphic design.
After a year of isolation, home working and community focus, just about every industry has had to make a few changes. As well as the usual visual trends, we’re seeing a lot more focus on design concepts, user experience and social consciousness.
Accessibility

Focus on accessibility in design has been growing over the last few years, and the pandemic has helped to further highlight its importance.
The use of digital content and apps has skyrocketed as people have used them to keep in touch with loved ones, to purchase essentials online, and for entertainment. As well as catering to those with visual, motor or cognitive disabilities, UX and UI designers have become increasingly aware of making products accessible in a very literal way.
For example, video conferencing platforms such as Skype and Zoom made multi-participant calls free and unlimited, making this feature accessible to users who are unable to afford a premium membership.
The concept of broadband internet being a right instead of a privilege was also particularly highlighted in 2020, as the nation turned to remote working and homeschooling. More and more websites and apps have been working to improve load speeds and reduce bandwidth requirements to cater to those with limited internet access or low-spec computers.
We’ll be seeing a continuation of this focus on accessibility well into 2021 and beyond, and that’s certainly one of the positives to come out of an extremely difficult year.
Daring typography
Over the last few years, sleek, plain sans-serif fonts have been dominating the design landscape.
Now, as people are striving for something new and exciting, we’re seeing the focus shift to something more eye catching. From oversized text and bold colour treatments to weird and wonderful geometric typefaces, we can expect to see words and letters at the forefront of graphic design in 2021.
Typography is a particularly interesting element when it comes to experimental design, as any design choices must be made within the confines of universally recognised shapes. How far can a font design be pushed while still being legible?
Social consciousness

More and more, the impact of our actions on the environment have become a selling point for customers across pretty much all industries.
For the graphic design industry, printed media is a key area of focus for this. Ensuring the use of recycled and recyclable materials and only using vegan, water-based inks helps designers to support the environment and show customers that they care.
Reducing the amount of waste in the studio is another key factor. This includes switching to digital-only formats as much as possible, sending out minimal samples and evaluating existing design, print and manufacturing processes to reduce waste materials.
It’s also time for graphic design agencies to reconsider which clients and projects they take on, and how to position brands for success in 2021. Choosing to support smaller, more environmentally friendly companies rather than huge multinational corporations might be a positive move, while ensuring that the concepts and messaging behind campaigns are in line with consumer interests.
3D design
3D design has been developing at an incredible rate, and it’s becoming increasingly accessible to companies of all sizes.
From character design to 3D typography and hyper-realistic imagery, there are almost endless possibilities available to graphic designers. As the technology has advanced and become more affordable, even smaller organisations will be looking to take advantage of 3D design in all aspects of their business.
We’ll be seeing 3D objects in everything from animation to printed media, allowing brands to create realistic environments and never-before-imagined scenes to create intrigue and develop a connection with their audience.
Give a little kindness this Christmas
It’s that time of year again! The world’s biggest and best companies are bringing out their 2020 Christmas adverts, and with the year we’ve all had, we could do with a bit of a distraction!
2020 has been... a lot, and this year is unlikely to be Christmas as we know it. That’s why it’s no surprise that this year’s festive adverts are packed full of kindness and care.
Instead of the cute creatures and cover songs we’ve come to expect from their Christmas adverts, John Lewis’ “Give a little love” campaign focuses on the impact that a small act of kindness can have.
Switching from live action to a variety of whimsical animation styles as we follow a chain of acts of kindness, the advert is inspired by the support that Brits offered friends, family and strangers alike throughout the pandemic.
While it’s easy to look after each other in times of shared crisis, this sweet advert shows us that a little kindness goes a long way. It ends with the words: “Together we can make a big difference”, and this isn’t just a warm and fuzzy line, with the John Lewis and Waitrose partnership backing this up through their work with charities Home Start and FareShare to support families in need.
Three
This creative advert is shot from the perspective of our phones and offers a lighthearted look back on our shared experiences of 2020.
Its whimsical Christmas carol-style soundtrack references what we’ve been up to on our phones throughout the pandemic, like family video chats and endless quizzes, and we see these play out through the phone’s camera.
The line “Your phone’s seen a lot this year” is pretty clever, as it plays on how much we’ve all seen this year without being bleak. It also highlights what important lifelines mobile phones have been for everyone during this time, and how much they’ve helped us to stay connected in ways we never would have imagined before the pandemic.
Coca-Cola
If you can’t be there, feel there. That’s the message shared by Portal, Facebook’s video calling hub.
The advert reminds us that even though we are apart, we can still share our lives with each other. From celebrating birthdays to sharing recipes and keeping up with our regular fitness regimes, the power of video calling enables us to keep going.
Finishing with the statement that “when this is all over, we’ll be closer than ever”, this ad tugs at the heartstrings. It makes you want to make sure that you don’t miss out on all those wonderful memories.
Amazon
Amazon’s festive offering this year is another that quite directly references the pandemic, with a focus on togetherness and community.
The ad features a young ballerina who’s practising for the starring role in her dance school’s upcoming performance. When she learns that the show has been cancelled, she’s understandably devastated, and many viewers will be able to directly relate to her experience, with so many events having been cancelled this year.
But family and community spirit save the day, as her younger sister organises an outdoor performance at their apartment complex and invites all the neighbours. At the end, we’re treated to a beautiful snowy ballet performance, with family and neighbours watching safely from their balconies. The ad closes with the line “The show must go on”.
It’s a really sweet moment, and there’s very little focus on consumerism. The only nod to this is the girl’s father purchasing a torch from Amazon, which is used as a spotlight in the final performance.
TK Maxx
“Did you buy the goat a designer outfit?” is possibly the most unexpected line to come out of an advert this year.
TK Maxx’s 2020 Christmas advert is a clever mix of absurd and relatable, referencing the collective difficulties we’ve all experienced without those feelings of gloom and despair.
As we see an incredibly stylish goat strutting her stuff through the snowy farm, the response is pretty reasonable: “She’s had such a hard year. She bloomin’ well deserves it if you ask me.” How many of us have thought this about friends and family this year? For those that have had a particularly tough year, it’s only natural to want to treat them to something really special this Christmas.
SuperValu
This sweet advert from Irish supermarket chain SuperValu is the DWH team’s favourite this year. It hits all the right notes, from being tear-jerkingly heartwarming to simply sharing a great message.
We see 7-year-old Conor getting ready for Christmas, decorating the tree and writing a letter promising to be extra good this year. As he asks his parents questions like “Is he still coming this year?” and “Did you get the one he likes?” we’re reminded that many children might be concerned that Santa won’t be able to bring them presents this year.
As we ramp up to Christmas Eve, with Conor having left out a glass of milk and mince pies, there’s a noise downstairs and he runs to greet the visitor. As he shouts “Granddad! I knew you’d come!” we realise that he wasn’t waiting for Santa after all.
With many people being unable to see their families this year, this advert really hits home, and it’s a beautiful moment to see a young boy so happy about family instead of focusing on presents.